July 27, 2010

Backlog

…a.k.a. link dump / linkage /clickage from the past month; more to come…
inplanesight-bushwick-via-gothamist

  • Very Bushwick and very fabulous (NYT)
  • You know how we do in Brooklyn (Inc.)
  • Pitchfork is Times-worthy.
  • I managed to avoid reading any commentary on Inception until I actually saw it for myself yetserday, though at this point, I cannot possibly hope to catch up with all of the bandwidth that has been spilled (not to mention plot spoiled)—in theory and in practice, for example—over Nolan’s polarizing masterpiece. Also: A.O. Scott on film criticism in the digital age in theory and in practice; Dileep Rao (who plays Yusef) gives us the straight dope; Jonah Lehrer speculates on the neuroscience behind the film. Plus, Jonah Lehrer on LSD (in a manner of speaking)
  • Am I guilty of “a breezy writing style”? (The Economist; related: China’s microblog macro-crackdown)
  • Amid all the talk of his new book Imperial Bedrooms, Bret Easton Ellis also finds time to reflect on American Psycho (The Guardian)
  • Sasha Frere-Jones endorses music in cloud form (The New Yorker)
  • Tom Vanderbilt included a link to Dave Horton’s unabashedly self-righteous five-part essay on the fear of cycling in his own musings on bicycle highways for Slate. Definitely required reading for anyone who chooses to bike for transportation (as opposed to simply for leisure), with the caveat that it feels a bit too much like justification for my sense of entitlement that I feel when I tell pedestrians to get out of the bike lane. Still, the car culture of the US is easily worse than that of the UK (where Horton’s expertise lies; at least London has congestion pricing) and the essay actually affirmed my fear that cycling still has a long way to go.

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pulpo_paul-via-salon

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June 19, 2010

Itemized

“I’m the best thing to happen to typography since Johannes fucking Gutenberg.”

This should keep you busy while I take a couple days off:

Click through for more of Hans Van der Meer's amazing photos of European football pitches

Click through for more of Hans Van der Meer's amazing photos of European football pitches

Classic; see below

Thanks Zach; related article below

kapoor-hirst-close-danto

Bluechips & Theory:

  • Jonathan Jones on Anish Kapoor and Damien Hirst.
  • Chuck Close: Life. As with art, music, film, etc., I hate reading book reviews instead of the books themselves, but sometimes secondary sources suffice… at least until I can justify throwing down $25 for it
  • Danto, part two—I’m still ambivalent about his definition of art as “embodied meaning,” which I first encountered a few years ago, but this is a good place to start if you’re not familiar with his work (which I can’t say that I am).

Work-Of-Art-Season-1-Episode-101-07

  • In accord with the New York Times review, I found Bravo’s “Work of Art” surprisingly watchable, living up to its pseudo-Warholian premise more than the SJP branding and Bravo production tropes might suggest. (I was mostly curious because I met Trong, pictured above, a few days prior.) If nothing else, “Work of Art” affirms that artists’ egos are particularly suited for the magnifying glass of reality television.
  • Hyperallergic looks at the show inside and out. The former article wisely points out that the reality TV formula of themed ‘challenges’ all but precludes any possibility of artistic growth, as well as the insular—if idealized—working conditions. In other words, it’s hard to take the show for a window into the art world (not that “Top Chef” does any better) when television necessarily imposes a distance between life and work.
  • I’ve never watched “Project Runway,” but apparently WSJ does, drawing parallels between the two shows in their recap of the first episode.
  • GQ talks to Bill Powers (“Work of Art” judge & NYC gallerist)
  • Related: The current state of the Brooklyn Museum (where the winner of “Work of Art” will get a solo show).
  • Inverted: Googleheim?

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