May 20, 2010

Imagery

Like Images… but, you know, ending with “-ry” instead of “-s”

http://tinyvices.verbsite.net/__data/tinyvices_andrew-kuo.jpg

  • Andrew Kuo’s “My Wheel of Worry, May 2010″ (Tiny Vices via TWBE)

cremaster-cycle-via-ifc

matthew-barney-bjork-marina-via-moma-flickr

paco-blancas-participating-in-the-artist-is-present-via-flickr

lichtenstein-at-gagosian-via-arrested-motion

When we think of still lifes, we think of paintings that have a certain atmosphere or ambience. My still life paintings have none of those qualities, they just have pictures of certain things that are in a still life, like lemons and grapefruits and so forth. It’s not meant to have the usual still life meaning.

–Roy Lichtenstein.

Roy Lichtenstein
Still Lifes
Gagosian
555 W 24th St (at 11th)
New York NY 10011 [map]
212 / 741-1111
May 8, 2010 – July 30, 2010

Banksy_NYC_2010-via-animal

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April 28, 2010

More Music Crap

optimo-oral-history-flyers-via-ra

Optimo flyers via RA (linked below)

Optimogeddon: a seven-hour Fin-de-Siècle blowout mix for your next seven-hour Fin-de-Siècle blowout. (I’ve only listened to Part 1 of 5 so far…)

On April 25th, the greatest club night in either Glasgow, the UK or the world (depending on who you ask) finishes. Optimo (Espacio), the brainchild of JD Twitch and JG Wilkes, arrived quietly at Glasgow’s Sub Club in 1997, and set about blowing the cobwebs off a stale, self-congratulatory Glasgow techno scene through a simple core philosophy: If it sounds good and makes people dance, play it.

Now, after 12-and-a-half years of sublime, genre-straddling, how-did-they-do-that acts of weekly musical witchcraft, combined with a zero-tolerance approach to “DJ culture”… it will all be over.

The Nights That Dreams Are Made Of: An Optimo Oral History, Resident Advisor

optimo-oral-history-residents

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GQ’s “Rock the Suit 2010” editorial anticipates forthcoming (/recently released) albums from a handful of indie superstars: MGMT (above), The National (below), The Walkmen, (surprisingly?) The Drums [previously], and David Byrne with collaborators St. Vincent and Santigold [previously] decked out in this season’s  (The notes about the designers read like Patrick Bateman’s internal narrative in Ellis’s American Psycho.)

band-the-national_628x434

The National performed and discussed their fifth LP High Violet at WNYC’s Greene Space on Monday (I made it out there for the live session, but honestly, the webcast is just as good as being there). In a potentially lucrative promotional move, the new album was streaming in full alongside a recent NYT profile of the band (only “Bloodbuzz, Ohio” is available now).

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Chuck Klosterman asserts that Beck’s “Loser” is the defining song of the 90′s because it illustrates how MTV was instrumental to the mainstreamification of alternative culture in the pre-Internet era. (Incidentally, Vice, which recently declared that it wants to be the new MTV, was founded that very same year.) (Spin)

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[I'm a little late on this one, but] blogosphere darlings Pomplamoose put the Indie Pop Fun back in Viral YouTube Sensation… or something to that effect. (NPR)

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New Holy Ghost! track; they’re opening for labelmates LCD Soundsystem for the four upcoming New York dates during the latter band’s current world tour.

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Flying Lotus’s forthcoming Cosmogramma streaming on his MySpace.

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Mister Cee’s Guru tribute mix for Hot97. (RapRadar)

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Oh My Gaga.

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January 17, 2010

The Drums

“We kind of forgot to care about being cool or what people thought.

» The Drums – Let’s Go Surfing (2:54) – 3.9MB mp3 @ 184kbps
The Drums

I first encountered the Drums last July, when my friend Sean* booked them for the Jezebel Music monthly showcase at Public Assembly. He convinced me to go with the simple claim that “They’re awesome.” Prior to seeing them, I had a vague notion that they might sound like the Liars, probably because I conflated their name (the only thing I knew about them at the time) with Drum’s Not Dead. I was dead wrong: the two bands fall on opposite ends of the rock spectrum (though both bands display a solid command of harmony), which I might have suspected when Sean mentioned that he liked the song with whistling. If the Liars specialize in making meaning from avant noise, the Drums achieve a pure pop aesthetic by channeling 50′s surf-rock with 80′s post-punk undertones.

http://www.supmag.com/wp-content/uploads/2009/05/drumssummertime.jpg

In any case, Sean was right: they were awesome, putting on one of their much-hyped high-energy shows and I ended up picking a copy of the Summertime EP (which was available at the show before its official release a month later). It was as good as anything I heard last year.

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