May 26, 2010

Assorted Links

UPDATED, one last time before midnight.

Os Gemeos & Blu (Works in Progress) in Lisbon

Os Gemeos & Blu (Works in Progress) in Lisbon

Street art’s symbiotic relationship with the Web makes you wonder whether the genre’s broad popularity stems from the fact that its characteristic features—swift execution, quicksilver response to pop culture and politics, the dominance of quotation and commentary, snarky attitude, fragmented statements embedded in the world rather than meant to stand apart from it—actually reflect the way that plugged-in people process information, more so than “traditional” art. There is something particularly contemporary about street art’s whole M.O., in this sense.

–Ben Davis, Is Street Art Over?, Slate, May 26 2010 (Highly recommended)

Fresh Stuff from Ron English in Queens

Fresh Stuff from Ron English in Queens

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Two perspectives on Marina:

She and MoMA have brought some magic back into art—the sort of magic that all of our courses in art history and appreciation had encouraged us to hope for.

–Arthur C. Danto, Sitting with Marina, The Stone blog on NYT, May 23 2010

There are euphoric moments and then intensely sad feelings of heaviness. Whatever you’re feeling becomes intensified. Certain truths about things I need to fix in my life are revealed to me. Marina says that in her own life she’s not so disciplined—that the performance gives her structure.

–Deborah Wing-Sproul, The Performer Made Bare, NYMag, May 23 2010

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prokhorov-bloomberg-jayz-via-espn

[As Prokhorov] explained to “60 Minutes,” “I don’t use a computer. We have too much information and it’s really impossible to filter it.”

You know what? He’s not necessarily wrong. Do we REALLY need all this information? Like, right now—you’re reading this column and hopefully enjoying it, but ultimately, could you have survived the weekend if you missed it? I say yes. Just about everything online fits that mold—you have to sift through loads of bad writing and irrelevant information to find the occasional entertaining/funny/interesting thing, and even then, it’s not something that’s making or breaking your week. Ever been on a vacation and had little-to-no Internet access that week? You survived, right? Maybe the big Russian is on to something.

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Candy-Darling-by-Peter-Hujar-via-huffpo

Candy reminds us of the postmodern notion of self-creation—the way we don social signifiers with the same ease as clothing, constructing our selves bit by bit from cultural cues and images. Rather than the solid frameworks we cast them as, our selves are more like sweaters we put on and take off. When it comes to social identity, we’re all a wee bit in drag.

–Caroline Hagood, New Documentary Tries to Solve the Riddle of Andy Warhol’s Candy Darling,
The Huffington Post, May 21 2010

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Was2651110

The problem of negative externalities [refers to] costs that accrue when the self-interested actions of one person leave bystanders worse off. The biggest example of a negative externality is global warming: When we burn carbon-based fuels, we benefit ourselves while imposing a great cost on billions of other present and future inhabitants of the planet.

–Felix Salmon, The Man Who Could Unsnarl Manhattan Traffic, Wired, May 24 2010

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j-bennett-fitts-land-of-ahs-via-good

GOOD Picture Show has a gallery of J. Bennett Fitts' incredible photos of Middle America

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May 4, 2010

Images: Super Deluxx Follow Up

More on the Images (below), as well as several new ones; as always, too much, too much. But seriously, how often do you see something like this.

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Hyères, France, 1932 / Magnum

First of all, the Henri Cartier-Bresson exhibit at MoMA is really quite remarkable, and I echo Kottke’s rave review (he mentions the image above, which was the first of many that caught my eye).

What he excelled at was seeing things in a different way from most other people.

A Father of Modern Photography: A Hunter and His Prey, The Economist, April 15 2010

The retrospective has a personal resonance on several levels: I’ve become increasingly interested in photography, journalism and photojournalism in the past couple years; his photographs of early and mid-century China are vaguely nostalgic (probably because I recently spent a couple months living in Beijing with my grandparents, who lived through it); and I recognized HCB’s portrait of Sartre from a book cover.

Jean-Paul Sartre

Discovered while eating a turkey hoagie and contemplating the meaning of life at a roadside stand. Also, admit it: he’s cute as a goddamn bug!

–Mike Sacks, Famous Philosophers and How They Were First Discovered,
McSweeney’s, May 2010

(More on HCB at Vanity Fair via 3qd.)

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liu-bolin-on-fire-at-eli-klein-0

Liu Bolin at Eli Klein: an excellent show despite the blue-chippy crowd at the opening. It might be more of the same and it probably has a certain loaded cultural content that can only be appreciated as someone who has recently spent time in China, but I would still say that the pieces in On Fire are visually compelling even without the political subtext.

liu-bolin-on-fire-at-eli-klein-1

His works have been communicated via emails, blogs, magazines and journals on a massive scale.

Liu Bolin’s earlier Hiding in the City photography series, in which he paints himself into the urban landscape, was inspired by the Chinese government’s demolition of the Suo Jiacun Artist Village in Beijing in 2006. He drew attention to great landmarks in China, both old and modern, while highlighting the lack of recognition which was paid to the citizens that built them. He portrayed the tragedy of the increasing insignificance of the individual in China as the government focused on presenting a modern commercial and industrial image. Rather than trying to fight, people attempted to hide and adapt to these forced changes.

–Liu Bolin’s On Fire press release & additional images via Eli Klein.

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Click images for larger versions.

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索家村 – Suo Jiacun [Artist's Village] (apparently, Liu Bolin reps it); 中国当代 – Contemporary China

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折 – fold, discount, break, bend, snap, lose, roll over, convert, rebate, twist, double up, be convinced, turn back, turn over, lose money in business, change direction, be filled with admiration, suffer losses (Google Translate)

Dude's shirt (bottom right) matches the photograph...

Dude's shirt (bottom right) matches the photograph...

Liu Bolin
On Fire
Eli Klein Fine Art
462 West Broadway (near Houston)
New York NY 10012 [map]
212 / 255-4388
April 30, 2010 – June 4, 2010

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I didn’t make it to the Scott Campbell opening, but it made it into other “emails, blogs, magazines and journals on a massive scale”: TBWE has a nice gallery of the work and the opening; OC has a gallery of the work itself; HB recap; Interview studio visit via HB; Terry stays relevant.

I did make it to Faile & BAST‘s DELUXX FLUXX NYC opening (after stopping by Liu Bolin), but my photos didn’t turn out so well. Again, you can find more/better coverage elsewhere.

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Keith W. Bentley - “Cauda Equina” (1995-2007)

Keith W. Bentley – “Cauda Equina” (1995-2007)

The New York Times has an interesting article on the kind of organic art that is currently on display at the Museum of Arts and Design.

nyt-angier-skulls

Jan Fabre – "Skull" (2001); Fabián Peña – "The Impossibility of Storage for the Soul I (Self-Portrait)" (2007)

Of course, people have always used natural materials to make their art, for the simple reason that until recently nature was all they had, said Ellen Dissanayake, a scholar on the evolution of art [who notes that] from the beginning, art demanded transformation. “Even in hunter-gatherer societies, they tend to make their stuff look not organic,” she said. “When they’re painting, they’ll use geometric shapes, make a row of triangles or circles, as though to show humans are more than nature.”

As Ms. Dissanayake sees it, when people make art, or “artify,” they follow several “aesthetic principles,” whether they know it or not. “They simplify, repeat, exaggerate, elaborate and manipulate expectations,” she said.

–Natalie Angier, Of Compost, Molecules and Insects, Art Is Born,
The New York Times, May 3 2010

– (2008)

Billie Grace Lynn – "Mad Cow Motorcycle" (2008)

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I didn’t particularly regret missing the Shepard Fairey opening until I saw this:

Classic.

Animal / TWBE

More Shepard Fairey and many more after the jump… Read the rest of this entry »

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April 14, 2010

The Art of the Streets, Pt. II

“You’re talking to a madman… Art for me is everywhere.” –Thierry Guetta

Too much, too much—

http://arrestedmotion.com/wp-content/uploads/2010/04/p1070053.jpg

Full coverage & photos at Arrested Motion

Exit Through the Gift Shop premiere in L.A. I missed it in NYC… guess I’ll have to throw down $12.50 to see it at the Sunshine. (AM)

NYT’s review speculates about some kind of deeper meaning; NYMag’s interview with the Thierry Guetta aka Mr. Brainwash yields no answers whatsoever. UPDATE: Jon Reiss reviews Exit for HuffPo; GOOD has another bizarre interview with the filmmaker.

(Meta Alert) A sneak preview into the sequel, Exit Through the Garage Door. (SlamxHype)

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os-gemeos-ilovegraffiti

I Love Graffiti has a decent, if somewhat lengthy, interview with Os Gêmeos; worth checking out the photos for sure. (TBWE)

os-gemeos-mural-at-bowery-houston

OGs doin' work last summer...

Apparently, the Brazilian twins’ awesome mural at Houston and Bowery is no longer: Animal reports that Deitch Projects has buffed it to furnish a blank slate for Shepard Fairey.

http://animalnewyork.com/wp-content/uploads/2010/04/Houston_Street_wall_buffed.jpg

Os Gêmeos were also featured on an episode of W+K’s D.I.Y. America:

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UPDATE (4/15): Blek Le Rat studio teaser. (Wooster Collective)

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boogie-trueslant

A nice interview with Serbian photographer Boogie. (True Slant)
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January 6, 2010

Assorted Links

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