March 12, 2010



Eyebeam’s MIXER event series continues this weekend with an Olympic-themed art and design marathon. The Chelsea art + technology hub will host Benton-C Bainbridge, CHERYL, Conveyors of Misguided Hits and Misses, Double Happiness, Erik Fabian, Jeff Crouse + Aaron Meyers, NYC Resistor and Stephanie Rothenberg + Scott Kildall, as well as Tanlines, Maluca and Justine D for late-night music performances.

Full press release here.


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February 19, 2010

Tonight: Flux or Flag?

(at least) Two openings tonight. Click images for more details.


Flux Factory
39-31 29th St (at 40th Ave) [map]
Queens NY 11101
On view Saturdays & Sundays through March 21, 2010
Opening Reception: Friday, February 19, 8pm-2am


Size Does Matter
curated by Shaquille O’Neal
Flag Art Foundation
545 W 25th St, 9th Fl (at 11th Ave) [map]
New York NY 10001
212 / 206-0220
February 19, 2010–May 27, 2010
Opening Reception: Friday, February 19, 6-8pm

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January 15, 2010

Switch at Webster Hall

Switch is DJing at Webster Hall tonight.

» Switch – A Bit Patchy (6:31) – 9.9MB mp3 @ 212kbps (embedded music player in the near future)

I doubt I’ll make it over there, since I was actually thinking about heading to Bruar Falls after the openings tonight, but who knows…


Girls & Boys is (are?) bringing some more noteworthy acts to Webster Hall over the next few weeks. The graphic design is painfully uninspired, but that’s not the reason why people go to these things.

I wonder if Vitalic is any good live. I just downloaded the new album; haven’t listened to it yet, but I like the album art:


Brooklyn Vegan has more concert listings as always.

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January 15, 2010


This detailed account of my Thursday is intended as a window into the life of someone who is currently “between jobs” (i.e. jobless—which is why I have all the time in the world to spend on my blog).

It’s pretty stupid and boring.

Honestly though, I don’t really know why I’m doing this—especially without photos, which might somehow justify the tedious and grossly underdeveloped prose. (It reads like something I would’ve written for a 9th-grade English class.) The closest approximation of a rationalization I can come up with is that I’d like to have some really terrible, shameful writing on the record to spite the rest of the content on my blog.

It’s also littered with hip NYC namedroppings and a cast of ancillary characters who barely qualify as devices. There is no symbolism or allegorical value to speak of. I’ve done my best to minimize foreshadowing… but that’s asking a lot and I’m not that good of a writer.

At best, it’s an exercise, an uncharacteristically intimate portrait of contemporary bohemia, largely unembellished albeit esoteric to the point of being skewed. At worst, it may be remembered as the first symptom of an otherwise untold descent into madness.

We’ll see how long it says online before I decide to delete it. (I’m tracking stats now so I’ll know exactly how many people clickthrough and read it.)

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December 17, 2009

Craze at Punk

Craze at Punk

DJ Craze is playing a free show at Punk tonight. To be perfectly honest, I haven’t heard much of his stuff—I’m downloading his Fabriclive mix as I write this—but his reputation precedes him. (If nothing else, he keeps good company: A-Trak can do no wrong these days and I used to see Klever regularly around ATL.)

I hope I can make it out there.

DJ Craze
The Opposite House
The Village at Sanlitun
Thursday, December 17th

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November 25, 2009

Beijing Electro City

Well that didn’t take long.

I found the new Chinese sound…

…or at least a sound that I was new to me, by way of a Chinese artist.

But first the requisite tedium of time, place, overanalysis and a dozen other tangents:

After catching La Loupe last Thursday, I opted not to see Au Revoir Simone or Rahzel (playing separate concerts—Chinese people are crazy but they’re not that crazy) and take it easy on Friday because 1.) the shows were relatively expensive—150RMB [$22] and 100RMB [$15]) respectively, which sounds cheap but taking drinks and cab fare into account, would have made a relatively expensive night out; 2.) I was afraid I would go through another pack of smokes (a health concern, not a financial one; more on this shortly); and 3.) I was saving my energy, money and health for Saturday’s cryptically-titled “Great Beer, Bad City” concert, showcasing China’s finest electronic music talent, at 2 Kolegas, “Beijing’s Hottest Dive Bar & Live Music Venue” (according to their website).


You'll have to excuse the poor quality of my photos; low light, strobes, movement, inebriation and ineptitude are to blame.

You'll have to excuse the poor quality of my photos; low light, strobes, movement, inebriation and ineptitude are to blame.

Like D-22, 2 Kolegas has established itself as a legit venue since its founding by two expats a few years back, attracting indie acts from near and far (I regret missing YACHT’s Halloween show there). Also like D-22, it happens to be off the beaten path, but (unlike D-22) this does not work in my favor: 2 Kolegas is a 15 km / 25 minute / 45RMB taxi-ride away, in the northeastern reaches of Beijing… in the parking lot of a sketchy drive-in movie theater that I might have mistook for a carnival (further explanation is clearly necessary, but will not be provided.) As with most places I’ve tried to find in Beijing, I found it on the second try, after a 15-minute detour down a shady side street lined with empty cabs—I had hoped they were ferrying passengers to nightlife off the main road, but this was not the case.

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