December 9, 2011

The English Reveria

Metronomy-TheEnglishRiviera

Metronomy’s third LP is easily one of my favorite albums of the year, something like the British version of MGMT’s Congratulations—a catchy, contemporary psych-pop album—except without the baggage of “Kids” and “Electric Feel.” The falsetto harmonizing, punchy bass and squeaky synths remain intact, but The English Riviera is, at its core, a remarkably consistent collection of crisply produced pop tunes, a testament to frontman Joseph Mount’s songwriting prowess. (Suffice it to say that the Hockney-esque album art is appropriate.)

Metronomy-EverythingGoesMyWay

That said, the female backing vocals are the key ingredient to my favorite tracks, “Everything Goes My Way” and “Corinne.”

» Metronomy – Corinne (3:16) – 5.8MB mp3 @ 246kbps

Although the album was released in April, I didn’t get around to listening to it until around CMJ, when I RSVP’d to see them play a free show at the Fader Fort; now that I’ve had The English Riviera in heavy rotation for the past month or so, I deeply regret missing them this year. (I recall seeing them in concert—DIY light-up shirts and all—at the now-shuttered warehouse formerly known as Studio B, back in what constitutes “the day” for a Millenial transplant, probably circa 2007…)

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February 14, 2011

Newsflash / Metronomy Remix

radiohead-site

Radiohead (my favorite band by some modern metrics) have just announced their eighth full-length album, The King of Limbs, slated for digital release on Saturday, February 19th and physical (and possibly metaphysical, lest the $39-worth of packaging is actually printed on newsprint) release on Monday, May 9th.

Donwood?

I can only assume this is a portrait of Thom & Stanley Donwood

The name of the new album relates to an oak tree in Wiltshire’s Savernake Forest, thought to be around 1,000 years old. The forest lies around three miles away from Tottenham House, a listed country house where Radiohead recorded part of ‘In Rainbows’.

The tree is a pollarded oak, referring to an ancient technique for harvesting timber for fencing and firewood. The phrase also appears in the 23rd chapter of the Qu’ran.

NME.com / via mark

radiohead-thanks-you-for-waiting

News about “that nonconformist British band” aside, here’s a Metronomy remix of Diplo (from the excellent Ninjatune XX compilation).

» Diplo (Feat. Sandra Melody) – Newsflash (Metronomy Remix) (4:34) – 7.1MB mp3 @ 207kbps

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August 1, 2010

High Fidelity

daft-punk-helmet-guy-manuel-de-homem-christo-by-harrison-krix-volpin-props

This is a week old, but amazing nonetheless: Atlanta-based prop designer Harrison Krix spent 17 months crafting the helmet that Guy-Manuel de Homem-Christo dons to become one half of Daft Punk.

Truly brilliant.

Core77 / HB

Homem-Christo also recorded as Le Knight Club in the late 90′s:
» Le Knight Club – Mirage (7:08) – 8.2MB mp3 @ 160kbps

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July 27, 2010

Backlog

…a.k.a. link dump / linkage /clickage from the past month; more to come…
inplanesight-bushwick-via-gothamist

  • Very Bushwick and very fabulous (NYT)
  • You know how we do in Brooklyn (Inc.)
  • Pitchfork is Times-worthy.
  • I managed to avoid reading any commentary on Inception until I actually saw it for myself yetserday, though at this point, I cannot possibly hope to catch up with all of the bandwidth that has been spilled (not to mention plot spoiled)—in theory and in practice, for example—over Nolan’s polarizing masterpiece. Also: A.O. Scott on film criticism in the digital age in theory and in practice; Dileep Rao (who plays Yusef) gives us the straight dope; Jonah Lehrer speculates on the neuroscience behind the film. Plus, Jonah Lehrer on LSD (in a manner of speaking)
  • Am I guilty of “a breezy writing style”? (The Economist; related: China’s microblog macro-crackdown)
  • Amid all the talk of his new book Imperial Bedrooms, Bret Easton Ellis also finds time to reflect on American Psycho (The Guardian)
  • Sasha Frere-Jones endorses music in cloud form (The New Yorker)
  • Tom Vanderbilt included a link to Dave Horton’s unabashedly self-righteous five-part essay on the fear of cycling in his own musings on bicycle highways for Slate. Definitely required reading for anyone who chooses to bike for transportation (as opposed to simply for leisure), with the caveat that it feels a bit too much like justification for my sense of entitlement that I feel when I tell pedestrians to get out of the bike lane. Still, the car culture of the US is easily worse than that of the UK (where Horton’s expertise lies; at least London has congestion pricing) and the essay actually affirmed my fear that cycling still has a long way to go.

04deitch4-popup

pulpo_paul-via-salon

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July 12, 2010

Summer in Brooklyn

Animal; cf. What? by my boy Kombo

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July 1, 2010

About Damn Time

pool2010flyer-via-bv

The most obscenely hipster shit ever:

via Brooklyn Vegan, as always…

Plus: PS1′s Warm Up lineup (finally) announced, also pretty decent as far as I’m concerned…

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June 12, 2010

David Byrne × TED: Music × Architecture

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June 9, 2010

Music in Video Form

Frankly, I was disappointed with the squirmy PG-13 implied violence / homoerotica (not to mention the gimmicky bowlcuts) of “Alejandro”—especially because I thoroughly enjoyed “Telephone”—though Gaga is clearly (and perhaps commendably) going for broke on the Madonna ‘gay-man-in-a-woman’s-body’ schtick.

Perhaps I was unimpressed with Gaga’s latest S&Meh-tinged (as they say on Brooklyn Vegan) effort because I’d recently seen the entirety of the Cremaster cycle for the first time, over the past two weeks at the IFC Center. (Despite the datedness of the special effects, the scope of Matthew Barney’s vision can only be described as epic, and I have yet to fully digest the visual language of the five-part arc, much less form an opinion about it.)

Of course, the comparison is patently unfair to both artists, and, to Gaga’s credit, “Bad Romance” is easily one on my favorite music videos of all time. Now, let’s see if Klaus Biesenbach can get them together for some kind of blockbuster collaboration…

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via Pitchfork

It’s tempting to peg the video as a metaphor for the album—drifting along, lacking ambition yet not unpleasant—but I haven’t listened to LP4 quite enough to pass judgment. Also, interview with Mike Stroud (½ of Ratatat) on Nowness.

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I liked the video from the start, but it’s taken a few views to get into the song itself.

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More jams:

Japandroids – Younger Us (Pfork) (A little too pop-punky on first listen…)

Yeasayer – O.N.E. (Clancy & Build Remix) (’Sup)

Crystal Castles Suffocation (Memory Tapes Remix) (Pfork)

Kid Cudi [vs. LCD Soundsystem] – All Talk (ft. Chip Tha Ripper & Christian Bale)

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June 7, 2010

Unsorted Links

UPDATE: Rearranged with respect to the next post; trust me, it’s better for everyone this way.

http://www.3quarksdaily.com/3quarksdaily/2010/06/perceptions.html

Richard Barnes - Murmur 8, December 14 2005

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May 26, 2010

Assorted Links

UPDATED, one last time before midnight.

Os Gemeos & Blu (Works in Progress) in Lisbon

Os Gemeos & Blu (Works in Progress) in Lisbon

Street art’s symbiotic relationship with the Web makes you wonder whether the genre’s broad popularity stems from the fact that its characteristic features—swift execution, quicksilver response to pop culture and politics, the dominance of quotation and commentary, snarky attitude, fragmented statements embedded in the world rather than meant to stand apart from it—actually reflect the way that plugged-in people process information, more so than “traditional” art. There is something particularly contemporary about street art’s whole M.O., in this sense.

–Ben Davis, Is Street Art Over?, Slate, May 26 2010 (Highly recommended)

Fresh Stuff from Ron English in Queens

Fresh Stuff from Ron English in Queens

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Two perspectives on Marina:

She and MoMA have brought some magic back into art—the sort of magic that all of our courses in art history and appreciation had encouraged us to hope for.

–Arthur C. Danto, Sitting with Marina, The Stone blog on NYT, May 23 2010

There are euphoric moments and then intensely sad feelings of heaviness. Whatever you’re feeling becomes intensified. Certain truths about things I need to fix in my life are revealed to me. Marina says that in her own life she’s not so disciplined—that the performance gives her structure.

–Deborah Wing-Sproul, The Performer Made Bare, NYMag, May 23 2010

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prokhorov-bloomberg-jayz-via-espn

[As Prokhorov] explained to “60 Minutes,” “I don’t use a computer. We have too much information and it’s really impossible to filter it.”

You know what? He’s not necessarily wrong. Do we REALLY need all this information? Like, right now—you’re reading this column and hopefully enjoying it, but ultimately, could you have survived the weekend if you missed it? I say yes. Just about everything online fits that mold—you have to sift through loads of bad writing and irrelevant information to find the occasional entertaining/funny/interesting thing, and even then, it’s not something that’s making or breaking your week. Ever been on a vacation and had little-to-no Internet access that week? You survived, right? Maybe the big Russian is on to something.

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Candy-Darling-by-Peter-Hujar-via-huffpo

Candy reminds us of the postmodern notion of self-creation—the way we don social signifiers with the same ease as clothing, constructing our selves bit by bit from cultural cues and images. Rather than the solid frameworks we cast them as, our selves are more like sweaters we put on and take off. When it comes to social identity, we’re all a wee bit in drag.

–Caroline Hagood, New Documentary Tries to Solve the Riddle of Andy Warhol’s Candy Darling,
The Huffington Post, May 21 2010

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Was2651110

The problem of negative externalities [refers to] costs that accrue when the self-interested actions of one person leave bystanders worse off. The biggest example of a negative externality is global warming: When we burn carbon-based fuels, we benefit ourselves while imposing a great cost on billions of other present and future inhabitants of the planet.

–Felix Salmon, The Man Who Could Unsnarl Manhattan Traffic, Wired, May 24 2010

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j-bennett-fitts-land-of-ahs-via-good

GOOD Picture Show has a gallery of J. Bennett Fitts' incredible photos of Middle America

Read the rest of this entry »

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