April 23, 2010
Ke$ha made a minor PR spla$h in the blog ocean (a drop in the Photobucket?) with a mediocre-to-bad performance on $NL last week (I’ll spare you the clips, but you can find them here). Yet pop pundits from across the internets have come to her defen$e, speculating that the “not dumb” pop$tar/rapper will eventually command some kind long-term po$t-reinvention cult following. In other words, we can already fondly look back at the passable Uffie-meets-Gaga single “TiK ToK,” because $he’s charting a path back to Na$hville.
Fred Falke transforms the bubbly electro party jam into a disco-funk banger, which I like about as much as the original (i.e. I’ve heard worse):
» Ke$ha – TiK ToK (Fred Falke Remix Radio Edit) (3:55) – 6MB mp3 @ 208kbps
Of course, Ke$ha is almost willfully eclipsed by the mega-ego of Lady Gaga’s hair alone, to say nothing of the Celebrity Incarnate herself. Indeed, insofar as Stefanie Germanotta’s alter ego represents pop-cultural cynosure the world over, she is regarded as a symbol (or symptom) of postmodernity, the subject and object of an ever-growing body of meta-commentary… not to mention a shitload of YouTube covers. There’s the usual conspiracy theories and folk psychological drivel, not to mention the sort of cultural criticism that is slightly too smart for its own good, namely Mark Dery’s recent ‘rockist’ retort to Sasha Frere-Jones’ review of Gaga from a year ago. (My own analysis, below, is decidedly less clever.)
Dery’s dissection of Lady Gaga and her (purportedly) apocryphal brilliance is worth reading, though I should caution that it’s on the heavy side: in a brief riposte from the pro-Gaga camp,* one commenter characterizes [Lord] Dery’s essay as “ridiculous long, very smart, [and] very namedroppy.” As far as I can tell, it comes down to a matter of whether fun and intelligence are mutually exclusive.