July 27, 2010

Backlog

…a.k.a. link dump / linkage /clickage from the past month; more to come…

• Very Bushwick and very fabulous (NYT)
• You know how we do in Brooklyn (Inc.)
• Pitchfork is Times-worthy.
• I managed to avoid reading any commentary on Inception until I actually saw it for myself yetserday, though at this point, I cannot possibly hope to catch up with all of the bandwidth that has been spilled (not to mention plot spoiled)—in theory and in practice, for example—over Nolan’s polarizing masterpiece. Also: A.O. Scott on film criticism in the digital age in theory and in practice; Dileep Rao (who plays Yusef) gives us the straight dope; Jonah Lehrer speculates on the neuroscience behind the film. Plus, Jonah Lehrer on LSD (in a manner of speaking)
• Am I guilty of “a breezy writing style”? (The Economist; related: China’s microblog macro-crackdown)
• Amid all the talk of his new book Imperial Bedrooms, Bret Easton Ellis also finds time to reflect on American Psycho (The Guardian)
• Sasha Frere-Jones endorses music in cloud form (The New Yorker)
• Tom Vanderbilt included a link to Dave Horton’s unabashedly self-righteous five-part essay on the fear of cycling in his own musings on bicycle highways for Slate. Definitely required reading for anyone who chooses to bike for transportation (as opposed to simply for leisure), with the caveat that it feels a bit too much like justification for my sense of entitlement that I feel when I tell pedestrians to get out of the bike lane. Still, the car culture of the US is easily worse than that of the UK (where Horton’s expertise lies; at least London has congestion pricing) and the essay actually affirmed my fear that cycling still has a long way to go.

• Deitch’s new projects (NYT)
• Brillo: from design to art (Print via BoingBoing)
• An amazing tale of art forensics (highly recommended) (New Yorker; cf.)
• Brion Gysin at the New Museum (NYT); interview with curator Laura Hoptman (AnOther)
• Graffiti prosecution in the Bronx vs. abroad
• Rhizome visits Babycastles.
• Wu Guanzhong, Chinese Artist, Dies at 90 (NYT)
• Why the Art World Hates “Work of Art” (Salon)
• Why Saltz kind of likes “Work of Art” (NYMag); he’s been recapping the show lately. (GQ, for their part, has been interviewing guest judges lately, but New York, not to be one-upped, has exit interviews, including why token outsider Erik kind of likes Jerry Saltz.
• Saltz on the Whitney as it should be (NYMag); Christian Marclay reviewed by his significant other (NYT); plus, the Whitney as it might be and Whitneys that never were; last but not least,  The Future Is Stupid: Jenny Holzer × Keds × Whitney = Bloomingdale’s Live Art