This is a week old, but amazing nonetheless: Atlanta-based prop designer Harrison Krix spent 17 months crafting the helmet that Guy-Manuel de Homem-Christo dons to become one half of Daft Punk.
“I can’t think of anything more glamorous than working on making beautiful things.”
Nowness has an interview with Rick Owens and an image gallery of his current furniture exhibition, “Pavane for Dead Princess,” at Salon 94.
Again, check out his Rules of Style for Details to get an idea of what he’s about:
1. I’m not good at subtlety. If you’re not going to be discreet and quiet, then just go all the way and have the balls to shave off your eyebrows, bleach your hair, and put on some big bracelets.
2. Working out is modern couture. No outfit is going to make you look or feel as good as having a fit body. Buy less clothing and go to the gym instead.
3. I’ve lived in Paris for six years, and I’m sorry to say that the Ugly American syndrome still exists. Sometimes you just want to say “Stop destroying the landscape with your outfit.” Still, from a design standpoint, I’m tempted to redo the fanny pack. I look at it as a challenge—it’s something to react against.
4. When a suit gets middle-of-the-road it kind of loses me—it has to be sharp and classic and almost forties.
5. Hair and shoes say it all. Everything in between is forgivable as long as you keep it simple. Trying to talk with your clothes is passive-aggressive.
6. There’s something a little too chatterboxy about color. Right now I want black, for its sharpness and punctuation.
This super-tall, 632-meter tower will be sited in the heart of Shanghai’s Lujiazui Finance and Trade Zone, adjacent to the Jin Mao Tower and Shanghai World Financial Center. As the most prominent icon on the city’s skyline, Shanghai Tower’s transparent spiral form will showcase cutting-edge sustainable strategies and public spaces that set a new standard for green community. Within its 128-stories, Shanghai Tower contains Class-A office space, entertainment venues, retail, a conference center, a luxury hotel and cultural amenity spaces. The tower will be registered for a high level of building certification from the China Green Building Committee and the U.S. Green Building Council.
Yesterday, before I discovered the video above, I came across a dollar bill with a red “Where’s George” stamp on it and I decided to enter it into the database (I’ve logged a couple in the past). It seems that I’ve since spent said dollar, as it is no longer in my wallet, but I managed to find it in my Firefox history. Apparently, it was in Greenpoint almost exactly a year ago; who knows what sort of wonderful adventures George #B2078 7046J has had in the mean time…
Last year, Klaus Biesenbach extended MoMA’s permanent collection of performance art beyond video & photo documentation to the performance itself, a move that foreshadowed the current Marina Abramovic retrospective. (It’s quite good, at least for someone who has had nominal exposure to her work. Highly recommended.)
Today, in what they are regarding as a similar move, MoMA expands its definition of design—or perhaps its role as an arbiter of design—by celebrating the ‘acquisition’ of the @ (at) sign, imbuing the symbol with a new layer of meaning as it becomes “art object befitting MoMA’s collection.” In other words, if the ‘@’ sign “does not declare itself a work of design,” then it is befitting, if not altogether necessary for the institution to do so, knowingly asserting itself as a conceptual creator à la Duchamp.
I don’t know how I feel about the smug implication that MoMA is doing us a favor by sharing this design gem with the world—the ‘@’ sign isn’t quite the same as, say, a UNESCO World Heritage Site—but it’s nice of them to share its history and significance (without mentioning Twitter).
Zhou Hongjun and Xiong Lu have created Hermit Mountain, a multifaceted, multipurpose skyscraper, drawing inspiration from both traditional Chinese culture and modern design. The design explores a dialogue between rationality and chaos to achieve a refined yet altogether organic aesthetic.
Designer Enrico Dini has developed a 3D printer that makes rocks.
Dini claims the d-shape process is four times faster than conventional building, costs a third to a half as much as using Portland cement, creates little waste and is better for the environment. But its chief selling point may simply be that it makes creating Gaudiesque, curvy structures simple.
Two-dimensional print may be dead, but 3D is on the up-and-up.
Warsaw’s Homework is a design studio that has created amazing posters for cultural events and films. Their remarkably simple yet gorgeous style is a new interpretation of Poland’s tradition of playful visual puns in poster design. Homework’s regularly-updated blog has the latest news and work.
Homework is currently showing at London’s Kemistry, an independent gallery in Shoreditch that showcases outstanding graphic design.
Homework: Modern Polish Poster Design
Kemistry
43 Charlotte Rd [map]
London EC2A 3PD
+44 (0)20 7729 3636
March 12, 2010 – April 11, 2010
M-F: 10-6; Sa: 11-4